Once you’ve got the process dialed in, it’s snappy as heck. There is no doubt that the Revoice Pro 4 workflow and automatic alignment tools are faster than doing it manually. Utilizing the musical APT mode also allowed for complete control over some backing vocal tracks I was working with. With musical sources, creating chorused vocal doubling tracks was an absolute snap. I utilized Revoice Pro 4 with its standalone app and connected to Logic Pro X with the helper (monitor) plugin. That list currently includes Studio One, Reaper, Cubase Pro 10, Nuendo, and Cakewalk. ARA (audio random access) has been upgraded to version 2, and this allows direct audio manipulation with no spotting or capturing in supported DAWs. There are also now vibrato warp points, so you can maintain a singer’s natural vibrato, or amp it up a bit. The adjustment layers most definitely fly in quickly and cleanly, and the interface feels incredibly snappy. There are specific modes within the APT (pitch and timing tools) that are geared for musical sources and dialogue sources. Version 4 brings a far more music-friendly automatic alignment.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |